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This is Radio Vickers in the new Radio Vickers format. These are just songs I’m listening to at the moment. It might be a Finnish Thrash Metal song, a pop song or some piece of jazz. And you can listen along. I also have three bands, there videos are scatter hither and yon around my site. If you could give one or two of them and eye and an ear, I’d be ever so grateful.
Well, I’ve been transferring my digital transfers back onto my computer from CD’s that I made about 10 years ago. Some of these albums, I don’t even remember transferring in the first place. Mostly, they’re in much better shape that I remember them being in. Or perhaps my hearing has deteriorated so much in the past decade, that they just sound better because I can no longer hear the imperfections. They have to come off the CD’s I've been storing them on because most of my recordable CD’s from even five years ago, don’t play anymore. The info on the data discs I made is not accessible. If anyone else out there has stuff on recordable CD’s, I’d advise them to back it up now.
I have no idea where I got this album. Lost to the mists of time, I’m afraid. It could have been E-bay or it could have been one of the great record stores we used to have in here in L.A. Unfortunately, most of them are gone now. Moby Disc, Aaron’s, Phi Beta are just beautiful memories now. This could have been purchased at Record Surplus, which that god is still with us.
In fairness, I should state that I have a weakness for late sixties/early seventies prog rock and this certainly falls into that category. That being said, there is some very enjoyable music here. It is tuneful and doesn’t get too self indulgent, which can happen when a bunch of very talented musicians get together and decide to see how far out they can get. That does not happen here. It gets a Radio Vickers two thumbs up.
Vital Clouds information stolen from Wikipedia:
Clouds were a 1960s Scottish rock band that disbanded in October 1971. The band consisted of Ian Ellis (bass and lead vocals), Harry Hughes (drums) and Billy Ritchie (keyboards).
1-1 Watercolour Day
In early 1964, Ian Ellis and Harry Hughes were playing in a band called The Premiers. The band itself consisted of Bill Lawrence (bass guitar), ‘Shammy’ Lafferty (rhythm guitar), Derek Stark (Lead guitar), Harry Hughes (drums) and Ian Ellis (vocals). It was decided that an organ would help the sound of the band, and Billy Ritchie joined.
1-2 Cold Sweat
Cyril Stapleton took the band to London to record some demos, but nothing came of that, and Derek Stark, Bill Lawrence, and James Lafferty decided to leave. It seemed that Ritchie joining the band had prompted more changes than had been intended. Ian Ellis decided that he would take up the position of bass guitarist as well as lead vocalist. The group decided to move in a new musical direction, and changed their name from The Premiers to 1-2-3.
1-2-3 had a much different sound from the previous band, or from almost any other band at that time. After achieving little success in Scotland, the band moved to London, England where they hoped that their original music would catch on, but early audiences were confused by the lack of a guitarist.
1-4 Long Time
The band were given a now-legendary headlining residency performing at the Marquee Club, attended by future prog icons such as Rick Wakeman and Keith Emerson. That an unknown band was chosen to headline at the Marquee was unusual, as they hadn't first performed the customary support spots. At the time, they were described as "a unique group...who have created an entirely new sound in pop group music". The same publication referred to "the truly exciting nature of 1-2-3.". Tamla motown was the order of the day, but this band offered up a potent mix of blues, classics, pop, and scat-jazz, wrapped in arrangements that defied categorisation. Their set consisted of original songs and standards, but these latter pieces were studiously reshaped to become, in essence, new. It anticipated the techniques later used by America's Vanilla Fudge, but where the US group slowed their creations down for melodramatic emphasis, 1-2-3 were more concerned with swing, and used the pieces as stepping stones to self-expression, rather than a means in themselves.Yet they balanced this esoteric desire with a conspicuous focus on melody. There was nothing remotely like it around.
2-1 Mind Of a Child
During the time the group performed at the club during 1967, they were signed by NEMS management company and Brian Epstein of The Beatles fame. This event was heralded in the national press, complete with photograph and accompanying article.
Among the Marquee audience was future superstar David Bowie, who said, when interviewed by Record Mirror in 1967, that they were "three thistle and haggis voiced bairns [who] had the audacity to face a mob of self-opinionated hippies with a brand of unique pop music which, because of its intolerance of mediocrity, floated, as would a Hogarth cartoon in Beano". Later, in 1994, speaking about the 1-2-3 treatment of his own song ("I Dig Everything"), Bowie said that "the song was radically altered, yet retained its heart and soul". He said he regarded Billy Ritchie as "a genius".
2-2 I Know Better Than You
The death of Brian Epstein, founder of NEMS, left the band in the care of Robert Stigwood, his successor. But Stigwood had just signed The Bee Gees, fellow Australians, and was preoccupied with making them a success. This brought an end to the management relationship shortly afterwards. After parting company with NEMS, the band kept busy playing in the local London club circuit. At a club in Ilford, east London, the band were seen by Terry Ellis who quickly signed them to his new agency, and re-named the band Clouds.
Originally known as the Ellis-Wright agency, the organisation grew and became Chrysalis. Clouds had also risen in prominence, playing many major tours, and appearing at the Royal Albert Hall and many of the headlining concert venues in the world, including the Fillmore East in New York. The band released a number of albums during this period. The recordings were generally very well received by the critics, with respectable sales. Concert reviews were also favourable. A Billboard magazine review of a 1970 concert at the Arragon ballroom, Chicago, began by saying 'This band will be a giant.'
2-4 Get Off My Farm
But despite some initial success for the band, Chrysalis increasingly focused its attention on Jethro Tull, and the momentum that began with 1-2-3 was lost. Though the later incarnation, Clouds, was still interesting, invention was now part of the mainstream, and the group disbanded in October 1971, unable to find a niche in an overcrowded progressive rock scene. As years passed however, it was the band's earlier incarnation as 1-2-3 that became the subject of a critical reappraisal. Ritchie, the organist, was credited as being the first of his kind, standing and taking a lead role, paving the way for others, such as Keith Emerson and Rick Wakeman. With accolades from the likes of David Bowie and others, the band's distinctive guitar-less, organ-driven sound is now viewed as a definitive precursor to the progressive rock movement.
2-5 I Am The Melody
Cloud’s Wiki page is here:
That’s all for today. This is Radio Vickers signing off.
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NOW! If you could watch a couple of our humble videos, we would love you to death.
Death of The Author Brigade – I Am Your Waitress – A song for the working masses. Especially the working masses employed in the catering business.
Death of the Author Brigade – The Boy Next Door – A 60’s tinged classic.
Death of the Author Brigade – Simple Song – Kat will break your heart.
Don’t Tell Betsy – The beginning and end of all Zombie love songs.
Don’t Tell Betsy – On My Mind – A Stonsey-sexy rocker.